The Opening Scene of ‘Killers of the Flower Moon’ Almost Took a Different Path

In the world of filmmaking, the initial moments of a movie can often set the tone for the entire cinematic experience. The opening scene of “Killers of the Flower Moon” was no exception, and it almost embarked on a very different journey before settling into the powerful narrative we see on the screen today. Martin Scorsese, the renowned director behind this gripping tale of historical abuse and discrimination, initially considered a Land Rush metaphor as the film’s introduction. However, after some thoughtful deliberation, he and co-writer Eric Roth opted for a montage to explain the Osage community’s newfound wealth from oil. Let’s take a closer look at how this decision came to be and what it means for the movie’s overall impact.

“Killers of the Flower Moon” delves into a dark chapter of history, where two men hatch a sinister plot to exploit the wealth of the Osage community. Little did they know, their actions would trigger a government investigation that would uncover the extent of their greed and malevolence. As the story unfolds, it’s worth noting the emotional reunion that takes place within the film itself – that of Scorsese, Leonardo DiCaprio, and Robert De Niro, who have previously collaborated on other cinematic masterpieces. This reunion adds an intriguing layer to the movie, showcasing the evolution of their working relationship over the years.

Now, let’s rewind a bit and imagine a different opening for “Killers of the Flower Moon.” In a recent interview with Entertainment Weekly, Scorsese and Roth revealed the alternative ideas they had for introducing audiences to their tale of intrigue and injustice. The original concept involved a five-page scene that would have taken three weeks to shoot, even with the magic of CGI. This sequence was envisioned as a Land Rush, with the camera pulling back to reveal Native Americans silently observing the rush of settlers. It was, in Scorsese’s words, a “perfect metaphor” for the themes of the film.

However, Roth raised a valid point. The Land Rush of Oklahoma and the discovery of oil in the late 1890s were quite distant from the central narrative of the Osage community’s wealth and subsequent exploitation. Despite its metaphorical richness, it may have created a disconnect with the story at hand. Still, Scorsese admired the attention to detail that Roth had poured into this alternate opening, which was intended to be a single, uninterrupted take.

Ultimately, the opening sequence that made it to the final cut of “Killers of the Flower Moon” is a montage. This montage serves as an efficient vehicle for explaining how the Osage community achieved sudden wealth through the discovery of oil on their isolated land. It sets the stage for the events to come, where Mollie Kyle, portrayed by Lily Gladstone, stands as a well-positioned young woman, but her future remains uncertain in terms of marriage and her financial security. This is where William Hale, played by Robert De Niro, enters the picture with a devious plan to secure Kyle’s wealth, regardless of the consequences she might face.

As fate would have it, Hale’s nephew, Ernest Burkhart, portrayed by Leonardo DiCaprio, returns home after World War I, presenting himself as the ideal candidate to wed Kyle. The film doesn’t shy away from addressing historical abuse and structural discrimination, themes that resonate throughout the narrative. Just when Hale and Burkhart believe they might execute their plan without repercussions, Thomas Bruce White Sr., portrayed by Jesse Plemons, is dispatched by the United States government to investigate the mysterious deaths within the Osage community.

Beyond the intricate plot, “Killers of the Flower Moon” brings together a powerhouse cast that includes DiCaprio, De Niro, Gladstone, Plemons, and other talented actors. Notably, this film marks another chapter in the long-standing collaboration between Scorsese and DiCaprio, who previously worked together on “The Aviator” and “Blood Diamond.” Their enduring partnership is a testament to the chemistry between director and actor, which has deepened over two decades. As for De Niro, his history with Scorsese dates all the way back to 1973 when “Mean Streets” first graced the big screen. Together, they have consistently explored themes of greed, evil, and corruption that can tear apart even the most peaceful communities.

In conclusion, while “Killers of the Flower Moon” may have considered a different path for its opening sequence, the final choice of a montage serves the film’s narrative well. It efficiently conveys the origins of the Osage community’s wealth, setting the stage for a gripping tale of exploitation, investigation, and the enduring collaboration between talented artists. As this thought-provoking film continues to captivate audiences in theaters, it reminds us of the power of storytelling and the resilience of communities in the face of adversity.

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More about Opening Sequence

• Entertainment Weekly Interview – The source of information about the alternative opening scene considered for “Killers of the Flower Moon.”
• IMDb – Killers of the Flower Moon – IMDb page providing details about the cast, crew, and release information for the film.
• Paramount Pictures – Killers of the Flower Moon – Official page for the movie, offering insights into its production and release.
• Martin Scorsese’s Collaborations – An article discussing the longstanding collaboration between Martin Scorsese, Leonardo DiCaprio, and Robert De Niro.
• Osage Indian Murders – A historical reference providing context for the events depicted in the film.